Happy Opening Day – I Miss 70s Baseball

Opening Day is always exciting – especially in Detroit. Even when the Tigers sucked (not long ago) the city does a good job of making a lot of noise on Opening Day.

I still like baseball, still follow the Tigers, but nothing like I used to.

Critics (read: cranky people my age) decry vast sums of money and steroid abuse ruining the game of baseball. I disagree. I think it’s baseball cards.

I picked up a couple packs of Topps cards at Target the other day. First of all, it was over $3 for a pack. Insanity. The cards themselves are fine, but it’s all about “chase” cards now: randomly inserted cards with autographs, pieces of uniforms, locks of hair, fecal samples…it’s ridiculous. The regular cards are almost an afterthought.

Baseball cards used to be awesome because you could get a pack wrapped in wax paper for twenty-five cents that included a piece of shitty gum that would tear a gash in your cheek if you weren’t careful.

You stored your cards in a shoe box and traded them with your friends and never thought much about them being worth anything. We didn’t put them in plastic sleeves. We didn’t get them professionally graded. They weren’t precious.

You thought about buying enough to get a full set, but that almost never happened. Mostly you were hoping to put together a bunch of guys from your favorite team.

Say what you will about the 70s (disco), but I’m telling you: Better hair, better moustaches, better glasses, better eyebrows more guys named “Mickey,” and way better baseball cards. And then there was the cheap, free-flowing cocaine…

My favorite cards were always the goofy looking players. Baseball players were just goofier in the 70s. Today they look like movie stars. Back then, they didn’t look that different than the guys who worked at the local car wash.

And the uniforms were funny, too. Remember the Astro’s uniform back then? Looked like a box of cereal. And the Pirates uniform? I’m pretty sure those guys sang barbershop at Disney World in the off season.

Here are a few of my favorite cards. Special thanks to the brilliant blog Cardboard Gods. I don’t have my cards anymore, but I was able to find most of my favorites on this site. Go check it out.

So I didn’t get any special chase cards in my new pack of Topps. Didn’t get any Tigers, either. Just a bunch of guys I never heard of playing baseball…and NO GUM (lame). I like ‘em okay, but I’d be willing to trade any of them for a Rollie Fingers with a crazyass handlebar moustache.

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Is 2012 the high water mark for genre films?

Hunger Games and John Carter were both WAY better than I thought they’d be. Couple that with Ridley Scott’s promising return to science fiction, not to mention a return to the Shire, and it looks more and more like this could be the best year in recent memory for genre film.

It’s been refreshing to see filmmakers rediscover character development. Amazing how much better a movie is – regardless of genre – when the characters are interesting and go just a bit deeper than ‘hero’ and ‘bad guy.’ If you’d somehow forgotten how shallow a lot of recent scifi films have been in the past few years, George Lucas was kind enough to re-release Phantom Menace in glorious 3D. Was it just as flat and vacuous as you remembered? You bet.

(As a side note, not only did my children/niece/nephew somehow cajole me into taking them to Phantom Menace 3D, they did it in New York City to the tune of about $150 when you include the popcorn. So enjoy your diamond-encrusted hovering bathtub, George. It’s on me.)

A real shame that more people didn’t turn out for John Carter. It was a lot of fun and I’d love to see a sequel. One of the worst marketing jobs I’ve ever seen. Should have called it The Princess of Mars (the title of the book it’s based on), should have shown the princess in the previews beating the crap out somebody, should have shown John Carter as a Confederate soldier, should have stopped exclaiming: “by the makers of Alice in Wonderland!,” because that wasn’t exactly selling it.

If Avengers is as good as it looks, Dark Knight Rises is half as good as Dark Knight was, and Jackson somehow manages to re-capture his Lord of the Rings mojo, it’s going to be the best year ever.

Then again, keep in mind I was incredibly excited for Green Lantern

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The Incredible Shrinking Poncho Bear

It all started because my wife got a Wii Fit.

I was not in the habit of weighing myself (for some reason), but I assumed I was resting comfortably at an incredibly unhealthy girth of about 250. I’d been 250 for ages. Years. And I was wearing the same circus tent sized clothes I’d always worn, so I figured nothing had changed. And I was successfully ignoring the fact that my knees were killing me for no reason, my face turned bright red whenever I took a sip of wine, and I had developed crippling pain in my heel.

So I hopped on the Wii balance board and watched in horror as the animated Mii version of myself ballooned into a distorted and grotesque caricature of a caricature of me. The words “morbidly obese” flashed on the screen. Sirens went off. The surgeon general sent a team of Navy Seals to put yellow caution tape around my house. Richard Simmons wept. I was 285.

285! Which I immediately just rounded up to 300. I walked around (slowly) for a couple days thinking, “I weigh 300 fucking pounds…”

So I bought some Reebok shoes with zig-zag soles. (Turns out all the cool second-graders are wearing them.) And I bought a book called “The Runners Handbook” which I didn’t read. Then I went for a run. And then I lay on the floor with tears in my eyes and ice on my knees for two days.

Decided I was too heavy to run, so I blew the cobwebs off my mountain bike and road it to the top of a small hill behind my house, threw up, rode home.

This started last July – these olympic dreams of mine…I’ve somehow managed to stick with it, eventually dropped enough weight to start running and now I’m doing both. That coupled with eating a lot less and no fast food  or soda and the fat has melted away like butter. Like sweet, delicious butter….

I’ve dropped about 80 pounds at this point. I’m pretty happy, though I am tired of people constantly asking me how I’ve done it.

“Eat less and exercise.”

World’s shortest self-help book.

My only other complaint is that I’m freezing. I’ve lost my protective layer of manatee blubber that kept me warm in the winter. I can’t wear enough sweaters.

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Why I love Formula 1

This Sunday marks the beginning of the 2012 Formula 1 season with a race in Australia. To say I’m excited is a massive understatement. I’m bloody dreaming about it. It’s true. The other night I had a dream that Michael Schumacher won the Australian Grand Prix and I was whooping with joy. (A boy can dream…)

To say I’m alone in my enthusiasm for F1 is likewise an understatement. Watched all over the world by millions of people, yet none of my friends watch it, nor my family, nor anyone I know. My wife watches a little, but I think it’s mostly out of kindness to me, bless her heart.

I’m not bothered that no one I know is a fan. I’m happy to wake up early on a Sunday to watch a race, trying to keep my enthusiasm in check so I don’t wake up the rest of the family. The problem is that when people find out I watch F1, there is generally a sniff of derision coupled with a baffled expression and the question: “Why?” I’m pretty sure that if I said I was a college football fan, no one would ask me why. If I admitted to watching hockey, no one would react with confusion. But F1 is apparently baffling.

I’m pretty sure it’s because I’m American. Here, auto racing begins and ends with NASCAR. I’m not a NASCAR fan. So when I tell people I like F1, they generally ask me if I like NASCAR, and when I tell them I don’t, the confusion grows: Aren’t they the same?

No.

So here, in as few words as I can muster, I will attempt to explain why I love Formula 1:

It’s an international sport: The drivers and teams are from all over the world. They race all over the world, too. This season, there are 20 scheduled races, in such diverse locations as Belgium, Korea, Hungary, Malasia and the US. Just like the olympics, when the field is open on a global scale, you truly get the best talent in the world competing at their peak.

There are many subtle and complex levels to the competition: There are 12 teams. Each team has two drivers and runs two cars they’ve designed and built themselves. There are of course a lot of regulations regarding how the cars are built, but they’re far from identical. The competition among the various engineers and designers is probably my favorite part of the sport. The cars are incredible: Rocket ships on the ground. And the way they are able to tweak their designs to get literally tenths-of-seconds more from them is astonishing.

Beyond that you have the competition between the two drivers on the team. It’s one of the more unique aspects of F1. As a driver, you are working with your teammate to score as many points as you can to help the team, but you also want to beat your teammate in the race. (On some teams, you want to beat your teammate more than anyone else on the grid.) Makes for a lot of tension, drama and really interesting strategy.

And finally there’s the race itself: A lot of auto racing focuses on stamina and reliability (the 24 Hour Le Mans, for one), whereas F1 is mainly focused on speed. (Reliability is an issue, to be sure. The car has to make it to the end of the race.) Most Grand Prix’s are about 90 minutes long with the cars, pit crews and drivers all going full-on to the checkered flag.

There’s a lot of strategy unfolding in each race, and it’s fascinating and exciting to watch. One of the most annoying comments non-fans make is, “isn’t it just watching cars go around and around?” In truth, there’s so much going on in every lap, it’s actually hard to take it all in and process what’s going on. There’s different tires to use on different tracks in different weather conditions (they race rain-or-shine), not to mention deciding when to change tires. There’s fuel management (no re-fueling in F1, so the cars start out heavy – with about 300 lbs of fuel – that burns off as the race progresses. Makes the car faster, but you have to make sure you don’t run out of gas). There’s qualifying strategy, passing strategy, cornering strategy, dealing with the straightaways, when to use your Kinetic Energy Recovery System for a quick boot of speed, occasional safety cars and debris on the track….not to mention the mental and physical strain of driving 200mph for an hour and a half and doing your best not to die – a genuine concern in all motor sports.

Finally there’s the endless drama among the personalities in F1. The drivers and team principles are all larger than life characters, replete with heroes and villains, tragedy and struggle, cheating, backstabbing, underhanded management, triumph over adversity and the thrill of victory. It’s a soap opera. I admit it. And I can’t help getting swept up in it every year.

So I hope this little essay clarifying things a bit. And if I’ve somehow enticed you to give it a try, set your DVR for the Australian Grand Prix this Sunday. It’s on the SPEED channel at 1AM (EST).

And if you’re looking for someone to cheer for, root for Mark Webber. He’s an Australian driver who races for Red Bull, and deserves the win.

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The Death and Return of Superman

This is the best 17 minutes I’ve had today. Do yourself a favor. Stop whatever you’re doing, and watch this…

 

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Superbowl Avengers trailer

We have a Hulk…

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The Hobbit trailer

That high-pitched squealing you hear is me. Sorry about that.

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Getting Excited for 2012 Movies

Besides the impending apocalypse, there are plenty of reasons to be excited for 2012. Movies, for one thing.

Here’s what I’m most looking forward to in 2012:

The Woman in Black (February 3) Daniel Radcliffe (Harry!) stars in a re-make of a 1989 made-for-tv movie of the same name. It’s a period ghost story. I loved period ghost stories. Looks super creepy. Plus it’s being released by the new Hammer studios who brought us the excellent (and under appreciated) Let Me In.

Hansel and Gretel: Witch Hunters (March 2) This is in the very dangerous sub-genre of comedy horror, a very tricky playground. When it works (Zombieland), it’s fantastic. But it rarely works. What gives me hope is the director, Tommy Wirkola. He made Dead Snow, a great horror picture about frozen Nazi zombies. For that he wins benefit of the doubt.

Raven (March 9) John Cusack stars as Edgar Alan Poe investigating a serial killer. Hopes are high for this one. Probably too high. But I love Poe, love Cusack (2012 notwithstanding), love period horror/thriller stuff. I’ll be there.

The Hunger Games (March 23) Don’t know too much about this, but my wife really loved the book, so we’re going to see it. Dystopian future where children compete in gladiator-style games to the death? Okay, then.

The Cabin in the Woods (April 13) It seems like I’ve been reading about Joss Whedon’s horror movie for years. It’s supposed to be a big twist on the tired cliche of teenagers trapped in a remote cabin, being menaced by a faceless killer, or something. I trust the Whedon.

Avengers (May 4) A little, independent art house film about a group of friends who band together to help their community. The big question mark here is the Hulk. How are they going to incorporate the Hulk in all this? Again, I trust the Whedon.

Prometheus (June) Ridley Scott returns to science fiction in what looks like a Lovecraftian story about the origins of the human species. If it’s truly Lovecraftian, I’ll be real happy. The little I’ve seen is very promising, though they need to get off this whole “Ridley Scott invented science fiction” marketing kick. It’s annoying and wrong.

Abraham Lincoln: Vampire Hunter (June 22) God help me, even though I know better, I have to see this. I fully expect it to end in a shame spiral with me weeping quietly under my chair.

G.I. Joe: Retaliation (June 29) see above

The Amazing Spider-Man (July 3) I’m glad they’re giving this series a re-boot. The third installment in the Raimi trilogy was pretty weak. I’m very curious to see what they do with it. I’m not so excited to see the origin story again. We all know Uncle Ben died. We all know what comes with great power. I’d rather see them jump in just after all that, but nobody asked me.

The Dark Knight Rises (July 20) Batman!

Total Recall (Aug 3) I love the Arnold version, and they are promising this will be closer to the original story by Philip K. Dick, which I love even more. Hope, hope, hope.

Hotel Transylvania (September 21) Animated picture with Dracula, Frankenstein’s Monster and the Wolf Man, directed by Genndy Tartakovsky (Samurai Jack and original Star Wars: Clone Wars cartoons)? Sign me up.

World War Z (December 12) The book (by Max Brooks) was just excellent: An oral history of a world-wide zombie apocalypse. If they even come close to capturing the book, it’s going to be great.

The Hobbit (December 24) Time to start sewing my costume for the premier. Is it too soon to start camping out?

Django Unchained (December 25) Quentin Tarantino will undoubtedly do a masterful job of ripping-off another of my favorite genres: The spaghetti western.  Have you ever seen the original Django? Oh, go watch it. You won’t be sorry. The theme song alone…

So that’s what’s on my radar for the year ahead. There are undoubtedly great films on the horizon I haven’t heard of yet.

What are you looking forward to? There are two Snow White films coming out. There’s another Bourne movie, another Depp/Burton movie, another Halloween movie, another Texas Chainsaw movie, another Paranormal Activity movie, a 21 Jump Street re-imagining, a Red Dawn remake (Wolverine!), a Wizard of Oz sequel, a Three Stooges movie, a Men in Black sequel and a movie based on the board game Battleship.

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The Dark Knight Rises trailer

Here it is. Looking pretty good. I was very skeptical when I heard Nolan decided to use Bane as the villain, but it’s making more sense to me now. There’s no way he’s going to top the Joker, and a lesser psychopath (like, say, Riddler) is just going to pale in comparison. Looks like he made Bane more of a hardened thug. That could work.

For those not familiar with the comic, Bane is a fairly recent character to the Batman mythos. He became famous in a run called “Knightfall,” where Bane (who is addicted to a kind of super-steroid called ‘Venom’ that gives him enhanced strength, a nasty temper and, presumably, acne) breaks Batman’s back in a fight. While Bruce is recovering in the hospital, and guy called Azrael takes up the mantle of the Batman, puts on a really dorky/spiky version of the Batsuit and exacts his own brand of dark justice. Not my favorite run, and I’m hoping Nolan doesn’t borrow too heavily from it.

The most intriguing bit of the trailer to me is Anne Hathaway as Catwoman whispering in Bruce Wayne’s ear about “having so much and leaving so little for the rest of us…” Sounds like Occupy Gotham. I dig it.

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Thunderbirds are go (1966)

I’m practically speechless.

I had a vague awareness that there were British television shows that used marionettes back in the 60s and 70s, and they had achieved something of a cult status. I saw (and loved) Team America, a film which Trey Parker and Matt Stone said was inspired by Thunderbirds (and the other “supermarionation” shows created by Gerry and Sylvia Anderson), but I had never seen any of it for myself. Until today. Good Lord, what took me so long.

If you haven’t seen Thunderbirds are go, you can watch it on Netflix streaming. I think you can also pickup the DVD from Amazon for about $5. Go. Go right now. I’ll wait here…

Did you see that? No, you weren’t imagining things. It really happened.

The Thunderbirds made the jump to the big screen in 1966 with Thunderbirds Are Go, more or less an extension of the television series. The story follows an intrepid team of adventurers called International Rescue made up of retired astronaut Jeff Tracy and his five sons (Scott, Virgil, Alan, Gordon and John). They live on a secret base (“Tracy Island”) and go about saving the world in their various, kick-ass vehicles, called, variously, Thunderbird-1 (hypersonic rocket plane), Thunderbird-2 (transporter aircraft), Thunderbird-3 (Single Stage to Orbit spacecraft), Thunderbird-4 (submarine) and Thunderbird-5 (a space station).

Let me just pause here and say that it’s the vehicles that are the real stars of this movie. The Thunderbird models are totally cool. It sort of reminded me of other shows I watched back then – like Emergency! – that were really more about the trucks than the characters. Johnny and Roy were entertaining, but we really tuned in to watch the firetrucks.

The film begins with the maiden launch of “Zero-X,” the first manned rocket ship to Mars. If you think I’m kidding about the vehicles being the stars of this movie, take a look at the incredibly (sometimes painfully) slow and deliberate launch sequence of Zero-X. They know how cool that ship is, and they’re going to take all the time they need to show you every inch of it.

The initial launch is sabotaged by a recurring Thunderbird villain called The Hood. He sneaks aboard the ship in order to take photographs of the top secret technology and his foot is caught in the hydraulics of the wings. He manages to extract his bloody foot in time to parachute to safety, but not the Zero-X can’t recover and crashes into the ocean before it can leave earth’s atmosphere.

Please let me remind you that this is all done with marionettes.

When a second launch is scheduled, it is determined that International Rescue will be hired for security. They board their various ships and, with the aid of international socialite turned spy Lady Penelope, ensure the launch is a success, thwarting a second attempt by The Hood.

Then, because they realized it was a movie and it needed to be longer than an hour, they threw in a dream sequence featuring a song by Cliff Richard and the Shadows, who were apparently famous in Great Britain at some point. It’s weird, disjointed and beautiful. I was practically in tears.

Zero-X makes it to Mars only to be attached by fireball-spitting rock snakes. Yep. Best line in the movie: “We are being attacked by life forms we do not understand.”

They barely escape with their lives and return to earth when the unthinkable happens: a mid-air collision with their landing wing cripples the Zero-X. It’s plummeting to earth with no way to eject. It’s up to International Rescue…IF they can make it in time!

My God this movie made me happy. My son and I were in hysterics. How did I miss this? There are a bunch of shows with amazing titles created by Gerry and Sylvia Anderson with using Supermarionation: Supercar, Fireball XL5, Captain Scarlet and the Mysterons….just when I thought there was no reason to own a TV anymore.

I already ordered the DVD box set of Thunderbirds.

I’ll be out waiting by the mailbox.

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